I first laid eyes on June Carter when I was 18, on a Dyess High School senior class trip to the Grand Ole Opry. I’d liked what I heard of her on the radio, and I really liked what I saw of her from the balcony at the Ryman Auditorium. She was great. She was gorgeous. She was a star. I was smitten, seriously so. The next time I saw her was 6 years later, again at the Opry, but this time backstage because by then I was a performer too. I walked over to her and came right out with it: “You and I are going to get married someday.” June is formidable; she’s my solid rock. She’s my spark plug. When there are people to talk to and my shyness is welling up, she holds my hand. June always sees that I’ve got the right thing to eat, if I’ll agree to eat it. She likes the same kind of movies I do, and the same kind of TV shows. She’s got charm, she’s got brains, she’s got style, she’s got class. She’s silver, she’s gold, she’s got jewelry, she’s got furniture, she’s got china….she’s got a black belt in shopping. She’s a vital performer, and it’s vital for me to have her on my concerts. I just don’t want to travel if she can’t come with me. She almost always does. She’s my life’s companion, and she’s a sweet companion. She and I have become so very close, so intimate. Whenever I face a professional decision, I always put it to her because I know she’ll be both objective and honest. She’s never judgmental. She’s become everything that wife should be, in my mind. We sleep together, we pray together, we travel together, we work together, and we’ve both found our particular place where we totally belong in every avenue of endeavor. —Johnny Cash, From “Cash: The Autobiography”
my favorite fictional couple.
In the 19th Century having a photograph taken was a lengthy process. Frustrated by the difficulties of getting children to sit still long enough to snap a proper photo, photographers in the 1800’s conceived of a technique called “The Hidden Mother”. Draping a sheet over the mothers head in an attempt to camouflage her as a part of the furniture to better emphasize the child, the mother was then able to hold her infant and keep them still long enough for the camera to get an exposure. Vintage photographs already have a eerie feel to them, but these images of moms as cloaked phantoms take the creep factor to the next level.
Amazing.
love
Vogue Knitting’s special 2012 crochet issue! I CAN NOT WAIT to make this tank.
There are so many wonderful projects featured. A welcomed change, as I’ve been so frustrated with pattern magazines lately, due to a lack of innovation and new design concepts. But these pieces are exquisite.
On newstands May 8th.
mah favorites!!
i want to start wearing scarves.